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Please note that we will be adding to this review in the forthcoming days as other reports come in. Just scroll down the page to see what has been added. We will noify any additions on the What's New page.
1. An evening for the celebration of Jim’s life and work lovingly organised by his wife Aninha and family and friends. Thinking about it, an event/project on a large scale with so much detail having been incorporated in making arrangements for such an event and all are to be congratulated. Because from that came what turned out to be a fantastic evening of the music of Jim Capaldi and Traffic and the recollections of his friends present onstage at this event. As Aninha said at the opening of the show “It’s been a lot of work, but it’s been a labour of love too”. Review by Eddie Gibbs with acknowledgement for the images taken from the show programme.
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The last time I attended a gig at The Roundhouse was to see The Stranglers, absolutely ages ago. The venue was grimy, and had appalling views of the stage. Now it’s been completely revamped and is a credit to the team of people responsible. A beautiful round building and in a former life had been a railway engine turntable area, now resplendent with its domed roof, and impressive brickwork. First up we must mention THE HOUSE BAND who kept it all seamlessly under control: PAPER SUN -PAUL WELLER Paul Weller is a man who has acknowledged the influences of Traffic, particularly on his album Wild Wood. He got things off to a flying start bringing back the lofty days of psychedelia, complete with his guitarist (Mark ?) playing what I believe was described as a sitar guitar; whatever it was it sounded very authentic, giving the tune a heavy/heady feel. Was the incense floating in the air the real thing, or was the magic of the music playing tricks with the senses? Weller was in good voice, and the choice of song was the perfect selection to open the show. LOST INSIDE YOUR LOVE - STEVIE LANGE A song from Jim’s “One Man Mission” album, and one I’m least familiar with. Stevie has an amazingly powerful voice, and as well as singing lead vocals on 2 songs, also shared backing vocal duties with the ‘house band’ for the evening. For those unfamiliar with her work she has a very impressive c.v. Stevie spent many years touring and singing with some of the most famous names in the music business, such as Elton John, Chaka Khan, Lulu, The Doobie Bros, Michael Bolton, Bonnie Rait, Ray Charles, Marvin Gaye, Roger Taylor and Brian May from Queen, Bryan Adams, Michael McDonald, Wham, Genesis, Chris Thompson (Manfred Mann’s Earthband) Huey Lewis and the News and Jackson Brown. She now teaches the art of singing, with clients including Jamie Cullum, Robbie Williams, Joe Elliot (Def Leppard), and The Sugababes. LIVING ON THE OUTSIDE - JOE WALSH G/VOC JON LORD BILL WYMAN Jim carried on writing good tunes late on in his career, and this was amongst the best. Joe Walsh was for me one of the outstanding performers of the evening, stamping his own identity on his selection of songs, but respectful to the original arrangements. Jon Lord’s Hammond organ playing set the mood nicely; giving a slightly sinister edge to the music and when Walsh kicked in with a spine tingling solo you knew that this was one of those special musical moments. ELIXIR OF LIFE - DENNIS LECORRIERE The Dr. Hook vocalist has one of those wonderfully rugged voices, perfect for this energetic tune that settles into a serious groove. WHALE MEAT AGAIN - SIMON KIRK I’m sure he looks younger than when he was in Free, great drummer, and would also appear to be a half decent vocalist, on one of Jim’s environmental themes. It’s hard to imagine the song was written well over 30 years ago. A faithful rendition of the original. LOVES GOT A HOLD ON ME - THE STORYS Didn't know much about these guys, but I believe ‘Whispering’ Bob Harris speaks very highly of them. This is the song that George Harrison wrote for Jim, and has yet to be released. Great harmonies by these guys; a band to watch out for. 40000 HEADMEN - JOE WALSH Pete Bonas on acoustic, Joe Walsh on electric, very nice arrangement. I think Mark Riviera played flute on this one. MAN WITH NO COUNTRY -YUSUF ISLAM WILD WORLD A welcome return to the stage for the artist formerly known as Cat Stevens. His latest album An Other Cup is wonderful. Yusuf spoke fondly of his friendship with Jim and how they had spent some time together in Brazil. Man with No Country is one of my all time favourite Jim songs, and Yusuf’s vocals on this were wonderful. His warm voice had just the right emotive edge. Accompanying himself on guitar, with nicely balanced backing from the ‘house band’, he even managed to chuck in a verse of “It’s A Wild World”. A wonderful performance and welcome back Yusuf. After a short break, Steve and his regular band wander on stage. I’d yet to see this latest line-up, but was not disappointed with this set. STEVE WINWOOD WITH JOSE NETO, KARL VAN DEN BOSSCHE, PAUL BOOTH & RICHARD BAILEY RAINMAKER was given a lengthy workout, now moving more and more towards the jazz barrier. Traffic were always innovative in their direction, encompassing music of different cultures and styles from the very outset. Paul Booth was superb on sax and flute. In quick succession they launch into WHO KNOWS WHAT TOMORROW MAY BRING - SW is in good voice tonight! LOW SPARK was just fine, but much shorter than some of the 30 minute epic’s we’ve witnessed in recent years, stripped down to around 8 minutes, with one of those mellow Stevie Hammond solo’s. Understandably time restraints limit the running time, but such a crucial tune just had to be included. Of all the Traffic songs this one is adaptable and continues to evolve on its timeless journey. LIGHT UP - seems strange. Steve doing a vocal always performed by Jim, but the arrangement worked. During the set Steve walked up to the front of the stage and paid his respects to Jim, telling us how he used to call him Seamus, and the fact that Jim also called Steve by the same name. He talked fondly and emotionally about their relationship. Steve had written a page about Jim in the official programme sold on the evening, relating a few tales about their times together. An enlightening read and souvenir.
So back to the hard working house band and a fine performance of: J Joe plays acoustic, ably accompanied by Pete Bonas. Joe harmonises well with Margo Buchanan. Lovely stuff. EVIL LOVE - GARY MOORE If you’ve heard Gary play you’ll know what a wonderful tone he gets out of his Gibson Les Paul. A great moody blues excursion, dripping with emotion! GIFTS OF UNKNOWN THINGS - PHIL CAPALDI Another personal favourite, with lyrics about various mysterious things such as ley lines. I’d seen Phil perform as part of Jim’s band many years ago. Didn’t know what a great singing voice he has. Great accompaniment from the band with Pete Bonas and Jon Lord working their atmospheric magic. LOVE YOU TIL THE DAY I DIE - MARGOT BUCHANAN Tried to find out more about Margo, but couldn't access any info from her web-site. (The buttons wouldn’t open on my computer) I do know she is married to 'Wix' Wickens who played keyboards in the ‘house band’, and that she has a great voice. This song was written for and dedicated to Aninha Capaldi. MULBERRY BUSH - PAUL WELLER Faithful rendition of the quirky 60’s Traffic hit. Paul was even dressed appropriately for the era. LET ME MAKE SOMETHING - STEVIE LANGE & JON LORD
Only one song on the night, with a funny tale to tell about performing this song at the Roundhouse back around ‘74-75. Spoke with some passion about working with Jim and Steve for Clapton’s legendary comeback gigs at the Rainbow in the early seventies. Playing acoustic guitar Pete really put his heart and soul into this one. Everyone tends to think of the aggression of The Who, overlooking the musical side that Pete excels in. Tonight was a great example. Only disappointment that one of my favourite musicians only performed one song.
I think Paul’s drummer Steve White also joined in on this one, a faithful enthusiastic rendition. ROCK’N’ROLL STEW - DENNIS LECORRIERE, STEVIE LANGE Not actually written by Jim (composers Grech / Gordon), but was Jim on lead vocals when performed by Traffic. Nice gritty version, with that wonderful guitar riff and incessant groove. LOVE WILL KEEP US ALIVE - STEVE WINWOOD & JOE WALSH
Steve on Hammond and vocals on a couple of verses, and Joe on guitar and vocals on the other verses. Nice to hear Steve singing something different and great to see two great performers working together. Lovely arrangement and a great song to finish with.
Written by PAUL MINKKINEN ----------------------------------------------------------------------------------------- 3. PRESS ARTICLES. A review from the Times Online by David Sinclair can be read here: http://entertainment.timesonline.co.uk/article/0,,14936-2560324.html -------------------------------------------------------------------------------------------------------- 4. FANS COMMENTS. From Martine: Hi – I would like to add my small contribution please. I was there! This once in a lifetime evening – this “unique in every way” evening. What an honour. The venue was just perfect – the last time I was there was to see Traffic – a long, long time ago – the place has changed somewhat! Aninha’s opening speech certainly brought a tear to my eye and through all the performances you never lost sight of the fact that everyone was there and doing it for Jim. I tried to get some photos but there was an over zealous official threatening to take people’s cameras away – so that was a bit disappointing – but still didn’t spoil the evening at all. Can’t wait for the DVD. Martine From Jon S:. Hi. I’d appreciate you adding my comments, thanks. A long journey up from the South West but I wasn’t going to miss this show for the world. A long time fan of Traffic and its members and a celebration of Jim’s music and Traffic’s not to be missed. Eddie and Paul have conveyed the evening pretty well here on the site and I haven’t got much more that I can add to that. But I would say that the show made me realise how good a songwriter Jim was especially hearing the interpretation of his songs by others, of which the players and special guests were superb. Don’t you think a 2CD compilation of the best of Jim’s solo work is in order? Reading through the press reviews on the following days it surprised me that one or two commentators were less than complimentary of Steve Winwood’s set than those who were there enjoying it. I recall a 2 minute ovation for Steve and the band as his set closed. The word meandering was used by 2 journalists. They should have replaced that with “expression of musical talent.” Well the day of the 3 minute song has pretty much come and gone and come to think of it and so has the word talent somewhat. Anyone can be a music star these days with no talent and a computer as the charts have demonstrated for some years now. They (journalists) have to justify their existence I suppose but we don’t have to agree with them. From Barry. I was there too!! After a lovely meet up with like minded loons (Peter from Germany, Berkin from Manchester via Ankara, Junette from Leyton via RSA, Chris and Sharon form Kent, Paul and Isabel from London and yours truly from Newcastle) at The Flask (Flask Pie and Guinness the order of the day) we travelled from Hampstead tube station, apparently the deepest in London!, to Chalk Farm and thence to the Roundhouse. Berkin, Peter and I were filmed for the forthcoming DVD so we shall hopefully have our 15 minutes of fame. Much buying of T shirts and programmes before entry and then the mad dash to the stage.
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